(Read all the way down and catch a recent interview of T. M. Brown by Canvas Rebel Magazine.)
Zora Neale Hurston, an Undeniable Southern Voice
Zora Neale Hurston, a Notable Southern Voice from the Past
Zora Neale Hurston became an influential African-American voice for Southern literature in the 1930s. She portrayed racial struggles in the early 20th Century South. Of her four novels and numerous published short stories, plays, and essays, her 1937 book Their Eyes Were Watching God brought her the most notoriety.
Born in Alabama, her family relocated to Eatonville, Florida in 1894. While attending Barnard College in New York, Zora became a central figure in the Harlem Renaissance and befriended Langston Hughes. She returned to North Florida and wrote her novels about the African-American experience, folklore, and her personal struggles as an African-American woman. She would be instrumental as an instructor at Bethune-Cookman College in Daytona Beach, Florida and later at North Carolina College for Negroes, now North Carolina Central University, Durham, North Carolina.
Posthumous Notoriety, Continued Recognition
Zora Neale Hurston’s works continued mostly unrecognized until Alice Walker in 1975 published “In Search of Zora Neale Thurston” in Ms. Magazine. Two of her works published posthumously were Every Tongue Got to Confess (2001) and Barracoon (2018).
Below is the recent interview by Canvas Reel Magazine. It provides a broad picture of Mike as an published author and founder of Hometown Novel Writers Association in Newnan, GA. There’s much to look forward to in 2023.
Upcoming appearances, Saturday, October 15th, Arts on the Creek Book Festival, Johns Creek, Georgia, 10 AM.
After a stellar, extended career as an author of twenty-five novels, countless short stories, and twelve non-fiction books, Erskine Caldwell became a charter member of the Georgia Writers Hall of Fame, 2000.
Born in 1903 to a Presbyterian minister and a schoolteacher mother in Moreland, GA, he lived an itinerant life in his early years living in Georgia, Florida, the Carolinas, Virginia, and Tennessee before his family returned and settled back in Georgia near to Augusta. His father’s compassion for the desperately poor folks impacted Erskine. His first notable writing came while he studied at the University of Virginia. “The Georgia Cracker” (1926) established the themes that infused his future writing: political demagoguery, racial injustice, depraved religion, cultural sterility, and social irresponsibility. He continued to develop as a writer through several groundbreaking magazine articles before F. Scott Fitzgerald recommended him to Maxwell Perkins, the senior editor at Charles Scribner’s Sons. Besides many short stories and articles, Caldwell wrote three highly successive novels by 1940, Tobacco Road, God’s Little Acre, and Trouble in July. Through these novels, Caldwell brought attention to the Depression’s dire effects upon Georgia’s tenant farmers, abuse of southern industrial workers, the disintegration of family values, and punctuated the brutal, racist attitudes aroused by white southern fears of interracial relationships.
Though interest in his novels waned by the early 1940s, they received a resurgence in the paperback revolution in American publishing following WWII.
In Caldwell’s later years, he turned to non-fiction to focus on social injustices earned him some harsh criticism of his views during the McCarthyism of the 1950s. Though he lived and traveled extensively away from his beloved Southern roots and family home in Wren, GA, he wrote to then GA Governor Lester Maddox in 1967, “I think that I am as much a Georgian as Brer Rabbitt.” Peachtree Publishers published fittingly his final book in Georgia a month before his death, April 11, 1987, an autobiography, With All My Might.
During a conference on Lost Southern Voices two years ago, I listened and learned how Erskine Caldwell influenced and interacted with the likes of Pat Conroy and Terry Kay. I live not ten minutes from Moreland, GA’s tribute to Erskine Caldwell. One cannot survey his humble beginnings and the collection of memorabilia on display without a sense of awe. How many more Southern novelists did he inspire?
Thanks to my extended conversation with folks behind Moreland’s exhibits on Erskine Caldwell, it is worthwhile to note that his novel successes and notoriety in the early 1930s stirred Madison Avenue publishers in New York to leave their sanctimonious ivory towers and scour the South to discover more nascent Southern voices.
Mixon, Wayne. “Erskine Caldwell (1903-1987).” New Georgia Encyclopedia. 16 May 2016. Web. 11 July 2018.
Watch for great news regarding my latest historical novel, The Last Laird of Sapelo”!
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Throughout this fall of 2022, I’ll be focusing on former Southern voices that forged the way for all Southern authors…
Caroline’s inaugural novel, Lamb in his Bosom (1934), won the Pulitzer Prize for literature. Caroline was the first Georgian to earn this esteemed award, which changed Caroline’s life forever, and the floodgates opened for future Southern female voices.
The pioneer women in her family and hometown stories passed down as she grew up became the inspiration for Caroline’s writings. As an adult, she visited older folks throughout her community, pen in hand, to capture more stories from the past. Their tales of the past, replete with colorful backcountry sayings and distinctive dialects, made it into her book Lamb in His Bosom.
“Don’t let people tell you there is no drama in your life, or that your surroundings are too colorless for novel material. If you can’t find the novel in someone else’s life, look into your own. Perhaps you don’t have any Georgia pines to write about, but there is something else quite as lovely in your life. I am certain of that. There never was another you. Write the way you feel it.” Caroline Miller.
Excerpts from Biography of Caroline Miller.
Watch for more Southern Voices from our past that have established what it means to be a Southern Voice today.
After a broken ankle immobilized her in 1926, Margaret Mitchell began developing a manuscript that would become Gone With the Wind, ultimately published in 1936. The success of Gone With the Wind made her an instant celebrity and earned a Pulitzer Prize for Margaret Mitchell, and the famed film adaptation released three years afterward. Over 30 million copies of Mitchell’s Civil War masterpiece have been sold and translated into 27 languages. Tragedy struck in 1949 when Mitchell was struck by a car, leaving Gone With the Wind as her only novel.
Born and raised in Atlanta, Mitchell experienced tragic twists and turns; with the loss of her mother in 1918 and then four years later and four months after her wedding, her first husband abandoned the marriage. She wrote nearly 130 articles for the Atlanta Journal Sunday Magazine during that troubled time. By 1925 with her first marriage officially annulled, Mitchell married John Robert Marsh who encouraged her writing during her recovery from a broken ankle in 1926. By 1929, she nearly finished her thousand page Civil War and Reconstruction era story – A romantic novel, written from a Southern woman’s point of view, steeped in the history of the South and the tragic outcome of war.
Rest of the story lies in what happened next…
However, the grand manuscript remained tucked away until 1935 until she reluctantly out of fear showed it to a traveling book editor, who visited Atlanta in search of new material, and the rest is history.
What motivated the book editor to leave his ivory-tower office in New York City?
Southern authors during the decades since earned a warmer reception from the dominant publishing houses as the appeal for Southern stories grew.
What Southern stories rest on your bookshelves at home as a testimony to their lasting imprint on our lives?
Novelist Corra Harris forged the way for Southern women writers in the early decades of the 20th-Century. Her notoriety as a humorist, southern apologist, and torchbearer of the premodern agrarian life developed through countless published short stories and essays in the likes of Saturday Evening Post, Harper’s, Good Housekeeping, Ladies Home Journal, and other notable periodicals. Mostly self-taught during her formative years raised in North Georgia, Corra married a Methodist minister, but she became a life-long widow by 1910. Faced with financial responsibilities, she focused on her writing out of necessity.
Corra’s most notable works were A Circuit Rider’s Wife (1910), A Circuit Rider’s Widow (1916), and My Son (1921). The trilogy focused upon the story of itinerant Methodist preacher William Thompson and his wife, and their life together traveling his church circuit in North Georgia. Her stories portrayed rural mountain folklife, and the hardships circuit ministers during that time in an earthy simplicity that readers have enjoyed over the years. In 1998 her Circuit Rider’s Wife was republished by University of Georgia Press.
Source: New Georgia Encyclopedia
Why Southern Literature Resonates
Why does Southern literature appeal to audiences decades after their authors have left us? Why do their books line our bookshelves as timeless classics? Would you consider reading more about Corra Harris?
What other Southern classics would you include on our list of timeless and borderless must-reads? I welcome reading what you would add to the list of past Southern Voices and Classics.
Visit my webpage for a list of my scheduled appearances at various indie bookstores and workshop venues throughout the South in the coming weeks and months. Learn how past Southern Voices have influenced me to write my stories – Sanctuary, A Legacy of Memories and Testament, An Unexpected Return, and recently Purgatory, A Progeny’s Quest. And now I am seeking to publish my first historical novel, The Last Laird of Sapelo–a story based on the real life of Randolph Spalding and his family’s legacy on Sapelo Island, Georgia. A story that attempts to offer discussion about history not being portrayed as either black nor white, but full of grayness (literally and figuratively).
An interview that pulled a lot of background information about my journey to become the Southern inspirational author working on publishing my fourth novel.
‘Time crept while I stirred and tossed in futile attempts to capture any semblance of actual sleep. Capitulation arrived shortly after four when I poured a cup of coffee and sat down in the living room…Okay Lord what are you trying to share with me?’ Theo Phillips, Main character Ch 20, pg. 169
When the author used the descriptor, ‘a couple of southern minutes’, I knew I was in for a treat as main characters Theo Phillips and his wife Liddy started retirement in their new hometown of Shiloh, Georgia.
The town residents began introducing themselves as soon as the Phillips arrived, inherently southern by nature, Christian in their beliefs and warm with human spirit. At first I thought there were too many people appearing one after the other and lost track of who they all were. But as they became familiar, I realized there would be no point in delaying introductions as they were all part of the Phillips’ daily life in a small town. Only a writer with personal experience in a small town could define so many characters so intricately, and so Mike Brown has.
The tale gathers momentum as more citizens come forward with their secret truths, the weight of which has prevented them from moving ahead in life. Theo and Liddy realize they’ve been sent on a divine mission and with God’s guidance, they make themselves available where needed.
Thank-you for this inspiring, funny and heart-warming journey with Theo and Liddy as they accept the challenge presented them and become part of the town of Shiloh.