Hometown Novel Nights is expanding in 2020 to Senoia, GA and making its program available to bookstores throughout the Greater Atlanta area. Our goal is to connect local authors with local audiences in an engaging, interactive, and informative format to introduce homegrown talent. Who knows which of the authors at Hometown Novel Nights will become the next National Bestselling Author from Georgia?
The First Page Matters in the Sensory Appeal Test
Right after a potential reader sets their eyes on your book cover, the next critical test to pique the interest of the reader is page one of the story. Does it beg the reader to read more?
For this reason, I begin and end writing and editing with the first page. Like in real life, “first impressions matter” in establishing relationships. We don’t often get many second chances. Neither do our books should the first impression fail to pique a curious reader’s interest.
As an independent author, my books do not have the advertising and promotional blitz advantage afforded by the top publishers hawking their stable of best-selling authors. T. M. Brown does not have the name recognition of best-selling authors, such as Grisham, Patterson, Baldacci, Karon, Blackstock, etc. Like the myriad of other new books published this year, the majority lacking the deep pockets and name recognition, success boils down to passing the sensory appeal test.
What is the sensory appeal test? Does the book cover stand out when on display amongst the notable NYC published best sellers, or does it shrink almost unnoticed, overshadowed by more noticeable book covers?
Maybe its the competitive nature within me, but I desire my books to compete among the notables, the best-sellers. I prefer my books to be on the eye level front shelves in the bookstore; not relegated to shelves set aside in the back of the store. Why is that important? Okay, T. M. Brown is not a household name in the literary world, but when my book covers are displayed beside notable names that readers seek, Sanctuary, A Legacy of Memories and Testament, An Unexpected Return are exposed to more potential readers. BUT, now the sensory appeal test begins.
When either of my book covers catches the eye of a perusing reader and they pause to slide the book off the shelf for a closer look, the reader’s keen senses in the next few seconds decide the fate of my book. Without the notoriety of the more familiar author Dan Brown, it is the front cover which then earns an extended feel of the book.
My publisher utilizes heavier stock paper to print its books, and it is noticeable to the feel. The reader then flips to the back cover and peruses the carefully edited snippets about the book. If the book cover has passed the initial sensory appeal test the reader invests another critical moment and thumbs through the pages before eyeing the first page. Those first 200 or so words reign supreme over the next few seconds as the reader weighs the quality of the content of this interesting new author’s novel. Should by chance the reader flip the page or closes the book but runs their hand over the cover once again, chances are a decision is underway. In that brief moment, the weight of the first page matters.
Now It’s Your Turn
Now it’s your turn. What do you think? How much time do you give to selecting out a good novel to read? Are you narrowly focused on tried and tested bestsellers? Are you a reader who more often than not feels dissatisfied by the novels being hyped and peddled by the big New York City publishing houses. Sadly, there is more and more pressure for the assembly production of novels by notable authors. They are easy to recognize because the author name takes up the top half of the front cover. They are promoting the author’s reputation, not the story inside.
So how do my books stack up? Do the first pages cause you to consider reading more?
To order either of these, if you are not able to find a copy at your local, go to TMBrownAuthor.com’s Bookstore Page
or follow the links below:
For Kindle editions, go to:
Alice Walker – A Color-filled Southern Voice
Alice Malsenior Walker was born on February 9, 1944, in Eatonton, Georgia. She was the eighth and youngest child of Minnie and Willie Lee Walker – struggling sharecroppers, but abundant in spirit and love.
Her father’s great-great-great grandmother Mary Poole was a slave forced to walk from Virginia to Georgia with a baby in each arm. Her mother’s grandmother Talluhah was mostly Cherokee Indian. Alice is deeply proud of her cultural heritage.
After graduating from high school in 1961, Alice attended Spelman College in Atlanta. Alice’s mother gave her three special gifts before she left home: a sewing machine for self-sufficiency, a suitcase for independence and a typewriter for creativity.
While at Spelman, Alice participated in civil rights demonstrations and was invited to Dr. Martin Luther King Jr.’s home in 1962 at the end of her freshman year. She then attended the Youth World Peace Festival in Helsinki, Finland and traveled throughout Europe the following summer. This spawned her love for travel and encountering the many peoples and cultures of the world.
In August 1963 Alice traveled to Washington D.C. She couldn’t see much of the main podium but heard Dr. King’s “I Have A Dream” address.
During her junior year, Alice received a scholarship to Sarah Lawrence College in New York. She became one of a handful of black Americans at the prestigious university.
While at Sarah Lawrence, her additional world traveling opportunities broadened her mind. During her senior year, Alice realized she was pregnant. Frightened and not knowing how to tell her parents, Alice considered committing suicide. She turned to poetry, trying to come to terms with her feelings and worst fears. Alice eventually chose to have an abortion.
During her recovery from the depression and anxiety she had suffered, Alice wrote a short story aptly titled “To Hell With Dying.” Her mentor Muriel Ruykeyser sent the story to publishers as well as to the poet Langston Hughes. To Alice’s delight, the story was published and she received a hand-written note of encouragement from Hughes. Alice was just 21 years old.
After graduating from Sarah Lawrence in 1965, Alice returned to Georgia and participated in the civil rights movement once again, but returned to New York City in the fall of 1965. But the struggle in the South beckoned her back, wherein during the summer of 1966 she again registered voters door-to-door in Mississippi where she fell in love with Mel Leventhal, an equally passionate Jewish law student who handled civil rights cases. She returned to New York city with him where he was attending law school.
While working on her first novel, Alice and Leventhal wed and moved back to Mississippi where he could pursue civil rights litigation. Despite threats of physical violence due to their inter-racial marriage, Alice worked as a black history teacher for the local Head Start program.
Alice continued her writing, accepted a teaching position at Jackson State University and published her first volume of poetry, “Once.” Walker became pregnant and finished her first novel “The Third Life of Grange Copeland” the same week her daughter Rebecca Grant was born.
Alice’s novel received literary praise but also criticism. The story involves the murder of a woman by her husband. Many black critics said she dealt too harshly with the black male characters in her book. Alice rebutted such claims, saying that women are all too often abused by men they love.
In 1972 she accepted a teaching position at Wellesley College where Alice began one of the first women’s studies courses in the nation, a women’s literature course. She also wanted to introduce her students to black women writers. In her search for material, she found Zora Neale Hurston, a much forgotten Harlem Renaissance writer. She would later edit an anthology of Hurston’s work and place a memorial on Zora’s unmarked grave in Florida.
Seemingly inspired by this new heroine, Alice wrote fervently. In 1973 she published her first collection of short stories, “In Love & Trouble: Stories of Black Women” and her second volume of poetry “Revolutionary Petunias & Other Poems.”
After numerous awards, she became an editor for “Ms. Magazine,” and by 1976 published her second novel, “Meridian.” The book chronicled a young woman’s struggle during the civil rights movement. At the same time, her marriage to Leventhal ended.
“Meridian” received much acclaim and Alice accepted a
When the movie “The Color Purple” premiered in her hometown of Eatonton, Alice received a hero’s welcome and parade in her honor. Her sister Ruth began “The Color Purple Foundation” which does charitable work for education.
In 1984 Alice published her third volume of poetry, “Horses Make a Landscape Look More Beautiful.” She followed this in 1988 with her second book of essays, “Living By the Word.” In 1989 she published her epic novel “The Temple of My Familiar.”
Alice next published another volume of poetry, “Her Blue Body Everything We
In 1996 Alice published “The Same River Twice: Honoring the Difficult” in which she describes through essays and journal entries the loss of her beloved mother and her own battle with Lyme disease and depression. The book also contains Alice’s own version of the screenplay to “The Color Purple” and many of her notes and remembrances from the making of her novel into
The next year Alice published another non-fiction title “Anything We Love Can Be Saved: A Writer’s Activism” with more essays inspired by her ever-expanding political activism. Alice remains an outspoken activist on issues of oppression and power and championing the victims of racism, sexism,
In September 1998, Alice published “By the Light of My Father’s Smile”. Her first novel in six years, the book examines the connections between sexuality and spirituality. The multi-narrated story of several generations explores the relationships of fathers and daughters.
Alice’s newest work is a collection of stories called “The Way Forward Is With a Broken Heart.” The stories combine autobiography and fiction as Alice examines the bindings and breakings of relationships with friends and family and lovers.
Alice Walker truly exemplifies the power of the Southern Voice in American literature.
Fiercely loyal to her native South and abiding faith, Flannery O’Connor held little patience for those who saw her depiction of the South as a caricature and who felt she could not possibly share or take seriously the religious preoccupations of her characters. But neither her critics nor the lingering health struggles over the last fifteen years of her life – a time of great suffering – could prevent her from preserving the integrity of a body of work that, however lacking in bulk, places her securely in the first rank of American fiction writers of the twentieth century.
Mary Flannery O’Connor was born in Savannah, Georgia, on March 25, 1925 – the only child of Edward O’Connor, Jr., and Regina (Cline) O’Connor. Both her parents’ families had emigrated from Ireland to Georgia in the nineteenth century. The O’Connors were also Catholics in a Protestant-dominated South, and Flannery’s education came from a series of parochial schools.
In 1938, her father’s real estate business had suffered during the Depression; he began working as a real estate appraiser for the Federal Housing Authority, which required the family to relocate to Atlanta. O’Connor and her mother chose to live in Milledgeville. Her father struggled with lupus, which ultimately consumed his life in 1941.
From 1938 to 1945, O’Connor received her primary education in Milledgeville. While in high school she wrote and drew cartoons for the school newspaper. At Georgia State College for Women, also in Milledgeville, she earned a bachelors of arts in English and Sociology. And more significantly, she dropped her first name and wrote under the name of Flannery O’Connor.
From 1945 to 1948, she did postgraduate work at the famous Iowa Writers’ Workshop, where she undertook a formal course of reading that introduced her to the work of modern writers such as Joyce, Kafka, and her fellow Southerner William Faulkner. After several unsuccessful efforts to get published, her fiction began to be accepted both by popular magazines such as Mademoiselle and journals such as The Sewanee Review. She also won the Rinehart-Iowa Fiction Award for her novel in progress, earning her an award of $750 and a contract with Rinehart and Company to publish the book upon its satisfactory (to them) completion.
During 1948 and 1949, O’Connor worked on her book at an artists’ colony near Saratoga Springs, New York. She boarded at the home of noted poet Robert Fitzgerald and his family in Ridgefield, Connecticut. Friction developed with Rinehart when O’Connor refused to revise her book according to the publisher’s editorial suggestions and they characterized her as uncooperative. She obtained her contractural release
She began to suffer pains in her arms and shoulder joints and developed a high fever on her train trip to Georgia for Christmas. She was hospitalized on her arrival and like her father was diagnosed with lupus. She never again would she be completely healthy, but through therapy and a strict diet recovered sufficiently to complete her novel- titled Wise Blood, published in 1952. In contrast to her experience with Rinehart, she was quite responsive to editorial insight and advice–and would remain so throughout her life.
Though O’Connor remained a devout Catholic, her stories usually focused upon mainstream Southern whites who professed the Protestant faith of fundamentalist and often highly idiosyncratic tendencies.
She continued to write and to publish short stories, including “A Good Man Is Hard to Find,” which first appeared in 1953 in a paperback anthology called The Avon Book of Modern Writing, and two years later became the title piece of A Good Man Is Hard to Find and Other Stories. This collection was praised by reviewers, and it sold unexpectedly well for a book of short fiction.
Despite continuing health problems, O’Connor continued living and working with her mother on their family farm. Her second novel, The Violent Bear It Away, published in 1960 to mixed reviews.
O’Connor saw her reputation consolidated in the early 1960s with several essays on her fiction in the Summer 1962 issue of the Sewanee Review and the publication in 1963 of her three books in a one-volume paperback edition called Three by Flannery O’Connor.
At the end of 1963, she suffered a pre-Christmas fainting spell that led to the diagnosis of a fibroid tumor, which was surgically removed in February 1964. Fearing the worst, she devoted her remaining strength to finish the last two of the nine stories planned for her forthcoming collection, Everything That Rises Must Converge. The book appeared in 1965 but as a posthumous publication. O’Connor died on August 3, 1964, at the age of thirty-nine.
In the carefully crafted prose of the two novels and nineteen short stories that she deemed worthy of book publication, she created a gallery of fantastic-seeming but deeply felt and sympathetic characters, in whose stories the humorous often gives way with sickening swiftness to the horrible, and whose lives, however twisted and tortured they may become, remain steadfast searches for the healing power of grace.
Although many writers in this century have sought to catch the flavor of what critics customarily term “Southern gothic,” O’Connor is unsurpassed in the mingling of violence and beauty, of the glorious and grotesque, that is her particular mood and theme.
Nelle Harper Lee (1926 – 2016), simply Harper Lee to millions across America, a Southern voice for decades based on her first book, To Kill a Mockingbird, published in 1960. Her other book though written in the 1950s, Go Set a Watchman, did not see the light of day until 2015 and was published as a sequel to her Pulitzer Prize classic.
Harper Lee wrote what she knew best, the Deep South of the 1930s from a child’s point of view. Harper Lee’s hometown of Monroeville, Alabama provided her with ample opportunities to portray the irrationality of adult attitudes in the racist culture that permeated the South.
A footnote worth mentioning: the character in her novel named Dill was based upon her real childhood friend, Truman Capote. What were the odds that little old Monroeville, Alabama would rear up both Truman Capote and Harper Lee? Today, Monroeville, Alabama entertains thousands of visitors who flock into town to get a glimpse at the old courthouse and homes that Harper Lee wrote about in To Kill a Mockingbird. Might I suggest you might want to visit the link below to learn more-http://www.southernliterarytrail.org/monroeville.html
A Southern Novel Nearly Gone With the Wind
After a broken ankle immobilized her in 1926, Margaret Mitchell began developing a manuscript that would become Gone With the Wind, ultimately published in 1936. The success of Gone With the Wind made her an instant celebrity and earned a Pulitzer Prize for Margaret Mitchell, and the famed film adaptation released three years afterward. Over 30 million copies of Mitchell’s Civil War masterpiece have been sold and translated into 27 languages. Tragedy struck in 1949 when Mitchell was struck by a car, leaving Gone With the Wind as her only novel.
Born and raised in Atlanta, Mitchell experienced tragic twists and turns; with the loss of her mother in 1918 and then four years later and four months after her wedding, her first husband abandoned the marriage. She wrote nearly 130 articles for the Atlanta Journal Sunday Magazine during that troubled time. By 1925 with her first marriage officially annulled, Mitchell married John Robert Marsh who encouraged her writing during her recovery from a broken ankle in 1926. By 1929, she nearly finished her thousand page Civil War and Reconstruction era story – A romantic novel, written from a Southern woman’s point of view, steeped in the history of the South and the tragic outcome of
Rest of the story lies in what happened next…
However, the grand manuscript remained tucked away until 1935 until she reluctantly out of fear showed it to a traveling book editor, who visited Atlanta in search of new material, and the rest is history.
What motivated the book editor to leave his ivory-tower office in New York City?
Southern authors during the decades since earned a warmer reception from the dominant publishing houses as the appeal for Southern stories grew.
What Southern stories rest on your bookshelves at home as a testimony to their lasting imprint on our lives?
Sourced from Margaret Mitchell’s Biography.
Lightning bugs or fireflies, which is correct?
In the third upcoming installment of my inspirational Southern mystery series, little ol’ Shiloh will be hosting their annual Spring festival, but I have struggled in providing the right name for the festival.
I decided to put aside naming it the Shiloh Cotton or Peanut Festival – they usually are Fall events anyway after the harvest. Camilla, GA hosts their Gnat Days Festival; Thomasville, GA has their Rose Festival; Azaleas are celebrated in Valdosta, GA; Fire Ants are welcomed in Ashburn, Ga. So after researching all the Spring festivals in South Georgia, it’s come down to naming Shiloh’s annual Spring festival either the Lightning Bug or Firefly Festival. However, even Theo and Liddy are in disagreement about what to call them luminous nighttime critters…
According to a linguistic study conducted at NC State (see the map below), most of Georgia as well as throughout the peanut & cotton Deep South, its a coin flip which term is most prevalent, but, as Theo argues, most of the South refer to them critters as lightning bugs.
Help me to name Shiloh’s Spring Festival.
Are you a lightning bug lover or a firefly person?
Green areas – predominantly firefly; Blue areas – predominantly lightning bug; Pink areas – interchangeable with names.
Your feedback will help Shiloh name its Spring Festival!
If you haven’t read either Sanctuary, A Legacy of Memories or Testament, An Unexpected Return, head over to the bookstore page and take advantage of the free shipping offer on the paperback editions.
Here are some photos and a video from a recent participation as a part of a troupe of authors participating in Alpharetta, GA for “A Novel Idea – Author Evening.”
Here’s Chapter Two from Testament, An Unexpected Return that I used in the reading to the audience Sunday night.