Shiloh’s History: Old Dixie Highway Impact

Story Behind Shiloh's Past

When I began researching my fictional South Georgia town, aptly named Shiloh, I wanted to understand how a county seat with a beautiful antebellum courthouse could lose its status. How could a revered courthouse become merely a symbol of the town’s past but become only a city hall as the power in the county shifted eastward to a more thriving and successful town full of tourists, shopping malls, and sprawling neighborhoods?

History revealed the political wrangling during the routing and building of the highways in Georgia decided the fate of many Georgia small cities and towns. The demographic of counties shifted within a decade or two after the highways snaked their way South a century ago. And, later again when in the 50s-70s, the Interstate Highway System sped tourists down its concrete corridors. Progress is most often welcomed without considering its long-term impact on the greater population left behind. Shiloh reflects such a left-behind community–scarred by the changes of its past–yet comfortable remaining a step or two behind all the changes of the 21st-Century. Understandably, the residents of Shiloh embrace time-lost traditions while creeping forward in time.

Might I suggest a little history lesson that might appeal to most folks about the changes brought on 100 years ago as highways and automotive travel reshaped Georgia and the Old South? http://georgiahistory.com/wp-content/uploads/2013/07/dixie_hwy.pdf

I invite you to fall in love with little old Shiloh. Though the stories are set in contemporary times, there’s a time-lost feel throughout that will assuredly draw your curiosity as to where Shiloh would exist if it were real today. Visit the bookstore for quick links to all three of the Shiloh stories. Fall in love with not only the colorful and memorable characters wrestling with deep secrets, conflict, threats, and of course modern changes creeping into their sleepy rural community but also discover how Shiloh also becomes a key character in each story.

Sanctuary, A Legacy of Memories (2017) – April 2020, Hearthstone Press release

Testament, An Unexpected Return (2018) – April 2020 Heartstone Press release

Purgatory, A Progeny’s Quest (revised release, May 26, 2020) – Hearthstone Press

Purgatory Kindle & Paperback editions coming soon… In the meantime, check out a couple of advance blurbs regarding the best and final book in the Shiloh series. Subscribe for advance purchase information and links.

Third & Final Novel in the Shiloh Mystery Series. May 5, 2020 Release

If you’ve never treated yourself to a novel by T.M. Brown, I recommend you start turning the pages of Purgatory, which in my estimation is pure literature. This story unfolds once again amid the patchwork of furrowed cotton and peanut fields of the South Georgia Christian community of Shiloh, where the townsfolk are getting ready to celebrate the annual Lightning Bug Festival — ol’ downhome country fun at its finest. But a storm is about to erupt. While folks fret they might lose their mayor to the Congressional swamp-water intrigue of Washington, an orphaned teenage girl appears on the scene in search of a mother who is long dead. But when one of Shiloh’s citizens purchases an armored limo with a checkered history at a Sheriff’s used-car auction, the town’s tranquility is shattered by the accumulation of dead bodies and broken hearts. Here’s a story that will keep you reading throughout the wee hours.

  • Jedwin Smith, author of I AM ISRAEL, Our Brother’s Keeper, and Fatal Treasure 

Mysteries beset the citizenry of a small southern town that exudes “contagious, country-fried wholeness.” T. M. Brown peels back the layers of those mysteries like one peels an onion. As you approach the finale, better hold on to your hat!

Jameson Gregg, Georgia Author of the Year, author of Luck Be A Chicken, a comic novel

The first two books are now available wherever books are sold, and advance orders for Purgatory will be soon available. Subscribe to my newsletter and then watch your email for exclusive offers or go on my Facebook or Instagram accounts for the latest news.

In the meantime, I hope you enjoyed Shiloh’s relevant history lesson and trust this current health crisis will end soon and business will gradually return to normal. I am presently praying for every small business and especially the bookstores struggling through this nightmarish calamity. I look forward to my upcoming book tour with optimism that will begin in early May (hopefully).

Mike, aka T. M. Brown

Shiloh Mystery Series began as Theo and Liddy arrive in town and discovers Jessie’s Story

JESSIE MASTERSON, BELOVED COACH AND TEACHER, SACRIFICED HIS LIFE SAVING THE LIVES OF TWO OTHERS THE NIGHT OUR HISTORIC COURTHOUSE BURNED TO THE GROUND…

Follow the link to a preview of Chapter One of Sanctuary, A Legacy of Memories and get introduced to Theo and Liddy as they first enter little old Shiloh for what had been intended to be their peaceful retirement.

After Sanctuary, A Legacy of Memories, read Testament, An Unexpected Return as Theo and Liddy attempt to sink deep roots in their new hometown only to discover their house has a link to the past they get drawn into the middle of a plot aimed to tear the Archer family and Shiloh apart.

Purgatory, A Progeny’s Quest –the third and final book in the series is coming May 5th. Theo and Liddy meet Pepper, a young girl on a quest to find the last member of the only family she has ever known only to discover family she knew nothing about.

Purgatory, A Progeny’s Quest will be the third in the Shiloh Mystery Series. It offers a twist as key characters in Shiloh adjust to the changes in their lives and new additions to lil’ ol’ Shiloh.

Stay tuned to learn more in the coming weeks leading up to the release of Purgatory, A Progeny’s Quest. As my publisher affirmed, this is the best of the three books. You can wait to read Purgatory, a suspense-filled mystery on its own, but you’ll only want to read the first two books after reading Purgatory… Subscribe today and be kept up to date as the launch date nears and the book tour dates are set!

The Appeal of Southern Novels, Past and Present

Why Are Southern Novels Borderless and Timeless?

How is it Margaret Mitchell, Flannery O’Connor, Harper Lee, William Faulkner, Robert Penn Warren, Erskine Caldwell, James Dickey, Pat Conroy and the legacy of so many other great Southern authors have endured long after they left us? And, today Southern authors like Fannie Flagg, Alice Walker, Kathryn Stockett, Jeswyn Ward, Charles Frazier, Greg Iles, Charles Martin, Rick Bragg, and even John Grisham are still securing their legacy for future generations.

Let’s not forget the endless stream of fresh literary voices beckoning us with new Southern-laced literary works that supply the timeless and borderless demand for memorable flawed heroes, victims, and villains depicted in colorful Southern settings dealing with 21st-Century challenges and changes.

The South offers fuller moons and windier back roads for a reason.

What constitutes a great Southern story?

First of all, truth be told, I don’t know how to write the next best-selling Southern Novel. Of course, if I did happen to know how, I’d be too busy writing it and more than likely have my eyes cast on writing at least three. Three best-selling Southern novels would leave the kind of legacy that any writer would only dream about. But at least I know one when I see one. That’s because really great best-selling Southern novels are discovered, not written. In fact, none of the aforementioned authors began writing the next great Southern novel. They merely wrote what resided within them to write. 

The indelible mark of Southern Author

Being reared in the South leaves an indelible mark on one’s soul where inspiration and motivation sprouts from fertile memories, the good and the bad, to write compelling stories. Aspiring writers with souls stained and strained growing up in the South cannot write anything else worthwhile. Southern stories are written experientially. An author might learn the mechanics of creative writing, but no classroom can replicate growing up and experiencing life in the South. There’s no better fodder for storytelling than lending an ear to the tall-tales of folks spinning yarns in the South. Such tales may be heard eating dinner, attending church, getting a haircut at a local barbershop, or at a beauty parlor for the women-folk, but let’s not neglect sitting on a neighbor’s porch.

So much of the South is found any evening on the front porch.

The Southern Author Is Too Polite to Name Names

I have learned one thing in my sixty-eight years, fiction is just the truth and reality wearing a mask and being stretched a might to be more palatable, and often more plausible. You see, more than not, the truth just ain’t as believable as the tall-tales that follow.

Now there are certain trademarks of any Southern story, they revolve around food, family, friendships, faith, and football. Right off, if any story fails to mention the sipping, swallowing, or gulping of sweet tea, consider it suspect right away. Also, in the South, a coke may not mean a Coca-Cola, and whiskey didn’t originate here, but it was perfected here. In fact, the tales of Cooter Brown’s perpetual drunkenness is a Southern-rooted legend.

Grits, gravy, and greens are menu staples, morning, noon and night. Anything else worth eating is also usually fried. Peaches, pecans, and peanuts are the foundation of many epic desserts too.

In the South, Change Arrives Reluctantly

It may be the 21st-Century, however, “Yes, ma’am” and “No, sir” are not derisive retorts but words of respect to our elders. Boys and grown men instinctively grab the door for a woman or young lady. Now, that’s not saying Southern gals don’t have spunk. Lord, just rile a Southern girl and you’ll learn right quick they invented sass. They also know, you know, you likely deserved it.

The 21st-Century Southern woman exited the confines of the kitchen and no longer remains in the shadows cast by men. She forges her own identity in society and dares men to catch up to her. 

Some Traditions Linger

Of course, when someone approaches on a backroad, there will be a casual exchange of raised fingers atop their respective steering wheels. It’s an evolution of the tradition that declares in the South no one stays a stranger for long. Handshakes and howdies transform strangers into friends whether visiting or just passing through. What has changed is the inclusion of women in those customary exchanges.

But Some Traditions Remain Steadfast in the South

Last but not least, it’s downright hard to distinguish faith from football conversations. They both can offer the same fervor. In the South, the Lord’s Day is Sunday and everyone agrees that God graces every church, small or large, but Saturday, God sports our team colors, sits on our side of the field and favors our victories.

Now there’s a heap more we could wrangle back and forth about on this subject, but I reckon you’ve got the gist. We may not always be able to plainly define it, but we sure know when we have read a great Southern novel. When we come to the last page and close the book we feel sad because it ended. 

T. M. Brown  

 

One earns the other on your shelf
Two books linked with their unforgettable setting and colorful characters

Coming May 5, 2020, Purgatory, A Progeny’s Quest, book three in the Shiloh Mystery Series. Watch for more news about book three in the coming weeks. But I can tell you, Theo just can’t seem to avoid being in the middle of the threats to the peace and tranquility of lil’ ol’ Shiloh. Some family trees get shaken and familiar characters face life and death decisions in the next story.

What is Hometown Novel Nights?

Event Venues in Hogansville and Newnan, GA
Three Author Panel each month talks about themselves, their writing journey, and their books.
Follow the link to a brief video introduction to Hometown Novel Nights

Authors looking to participate should follow the link above to Hometown Novel Nights Facebook page and message us or email TM Brown directly.

Hometown Novel Nights is expanding in 2020 to Senoia, GA and making its program available to bookstores throughout the Greater Atlanta area. Our goal is to connect local authors with local audiences in an engaging, interactive, and informative format to introduce homegrown talent. Who knows which of the authors at Hometown Novel Nights will become the next National Bestselling Author from Georgia?

The First Page Matters

The First Page Matters in the Sensory Appeal Test

Right after a potential reader sets their eyes on your book cover, the next critical test to pique the interest of the reader is page one of the story. Does it beg the reader to read more?

For this reason, I begin and end writing and editing with the first page. Like in real life, “first impressions matter” in establishing relationships. We don’t often get many second chances. Neither do our books should the first impression fail to pique a curious reader’s interest.

As an independent author, my books do not have the advertising and promotional blitz advantage afforded by the top publishers hawking their stable of best-selling authors. T. M. Brown does not have the name recognition of best-selling authors, such as Grisham, Patterson, Baldacci, Karon, Blackstock, etc. Like the myriad of other new books published this year, the majority lacking the deep pockets and name recognition, success boils down to passing the sensory appeal test.

What is the sensory appeal test? Does the book cover stand out when on display amongst the notable NYC published best sellers, or does it shrink almost unnoticed, overshadowed by more noticeable book covers?

Maybe its the competitive nature within me, but I desire my books to compete among the notables, the best-sellers. I prefer my books to be on the eye level front shelves in the bookstore; not relegated to shelves set aside in the back of the store. Why is that important? Okay, T. M. Brown is not a household name in the literary world, but when my book covers are displayed beside notable names that readers seek, Sanctuary, A Legacy of Memories and Testament, An Unexpected Return are exposed to more potential readers. BUT, now the sensory appeal test begins.

When either of my book covers catches the eye of a perusing reader and they pause to slide the book off the shelf for a closer look, the reader’s keen senses in the next few seconds decide the fate of my book. Without the notoriety of the more familiar author Dan Brown, it is the front cover which then earns an extended feel of the book.

My publisher utilizes heavier stock paper to print its books, and it is noticeable to the feel. The reader then flips to the back cover and peruses the carefully edited snippets about the book. If the book cover has passed the initial sensory appeal test the reader invests another critical moment and thumbs through the pages before eyeing the first page. Those first 200 or so words reign supreme over the next few seconds as the reader weighs the quality of the content of this interesting new author’s novel. Should by chance the reader flip the page or closes the book but runs their hand over the cover once again, chances are a decision is underway. In that brief moment, the weight of the first page matters.

Now It’s Your Turn

Now it’s your turn. What do you think? How much time do you give to selecting out a good novel to read? Are you narrowly focused on tried and tested bestsellers? Are you a reader who more often than not feels dissatisfied by the novels being hyped and peddled by the big New York City publishing houses.  Sadly, there is more and more pressure for the assembly production of novels by notable authors. They are easy to recognize because the author name takes up the top half of the front cover. They are promoting the author’s reputation, not the story inside.

So how do my books stack up? Do the first pages cause you to consider reading more?

Roebling Point Books & Coffee, Covington, KY

Sanctuary, page 1

Testament, page 1

To order either of these, if you are not able to find a copy at your local, go to TMBrownAuthor.com’s Bookstore Page

or follow the links below:

Find your next book or local bookstore

SIBA Southern Independent Booksellers Alliance – Authors ‘Round the South Supporter

For Kindle editions, go to:

Southern Voices of the Past – Alice Walker

Alice Walker brought attention back upon
many of the wrongs of the Old South

Alice Walker – A Color-filled Southern Voice 

Alice Malsenior Walker was born on February 9, 1944, in Eatonton, Georgia. She was the eighth and youngest child of Minnie and Willie Lee Walker – struggling sharecroppers, but abundant in spirit and love.

Her father’s great-great-great grandmother Mary Poole was a slave forced to walk from Virginia to Georgia with a baby in each arm. Her mother’s grandmother Talluhah was mostly Cherokee Indian. Alice is deeply proud of her cultural heritage.

After graduating from high school in 1961, Alice attended Spelman College in Atlanta. Alice’s mother gave her three special gifts before she left home: a sewing machine for self-sufficiency, a suitcase for independence and a typewriter for creativity.

While at Spelman, Alice participated in civil rights demonstrations and was invited to Dr. Martin Luther King Jr.’s home in 1962 at the end of her freshman year. She then attended the Youth World Peace Festival in Helsinki, Finland and traveled throughout Europe the following summer. This spawned her love for travel and encountering the many peoples and cultures of the world.

In August 1963 Alice traveled to Washington D.C. She couldn’t see much of the main podium but heard Dr. King’s “I Have A Dream” address.

During her junior year, Alice received a scholarship to Sarah Lawrence College in New York. She became one of a handful of black Americans at the prestigious university.

While at Sarah Lawrence, her additional world traveling opportunities broadened her mind. During her senior year, Alice realized she was pregnant. Frightened and not knowing how to tell her parents, Alice considered committing suicide. She turned to poetry, trying to come to terms with her feelings and worst fears. Alice eventually chose to have an abortion.

During her recovery from the depression and anxiety she had suffered, Alice wrote a short story aptly titled “To Hell With Dying.” Her mentor Muriel Ruykeyser sent the story to publishers as well as to the poet Langston Hughes. To Alice’s delight, the story was published and she received a hand-written note of encouragement from Hughes. Alice was just 21 years old.

After graduating from Sarah Lawrence in 1965, Alice returned to Georgia and participated in the civil rights movement once again, but returned to New York City in the fall of 1965. But the struggle in the South beckoned her back, wherein during the summer of 1966 she again registered voters door-to-door in Mississippi where she fell in love with Mel Leventhal, an equally passionate Jewish law student who handled civil rights cases. She returned to New York city with him where he was attending law school.

While working on her first novel, Alice and Leventhal wed and moved back to Mississippi where he could pursue civil rights litigation. Despite threats of physical violence due to their inter-racial marriage, Alice worked as a black history teacher for the local Head Start program. 

Alice continued her writing, accepted a teaching position at Jackson State University and published her first volume of poetry, “Once.” Walker became pregnant and finished her first novel “The Third Life of Grange Copeland” the same week her daughter Rebecca Grant was born.

Alice’s novel received literary praise but also criticism. The story involves the murder of a woman by her husband. Many black critics said she dealt too harshly with the black male characters in her book. Alice rebutted such claims, saying that women are all too often abused by men they love.

In 1972 she accepted a teaching position at Wellesley College where Alice began one of the first women’s studies courses in the nation, a women’s literature course. She also wanted to introduce her students to black women writers. In her search for material, she found Zora Neale Hurston, a much forgotten Harlem Renaissance writer. She would later edit an anthology of Hurston’s work and place a memorial on Zora’s unmarked grave in Florida.

Seemingly inspired by this new heroine, Alice wrote fervently. In 1973 she published her first collection of short stories, “In Love & Trouble: Stories of Black Women” and her second volume of poetry “Revolutionary Petunias & Other Poems.” 

After numerous awards, she became an editor for “Ms. Magazine,” and by 1976 published her second novel, “Meridian.” The book chronicled a young woman’s struggle during the civil rights movement. At the same time, her marriage to Leventhal ended.

“Meridian” received much acclaim and Alice accepted a Guggeheim Fellowship to concentrate full-time on her writing. She left “Ms.” and moved to San Francisco where she still maintains a residence today. There Alice published her second book of short stories, “You Can’t Keep a Good Woman Down,” and in 1982 finished “The Color Purple,” which earned her the Pulitzer Prize, American Book Award and escalated Alice to worldwide fame.

When the movie “The Color Purple” premiered in her hometown of Eatonton, Alice received a hero’s welcome and parade in her honor. Her sister Ruth began “The Color Purple Foundation” which does charitable work for education.

In 1984 Alice published her third volume of poetry, “Horses Make a Landscape Look More Beautiful.” She followed this in 1988 with her second book of essays, “Living By the Word.” In 1989 she published her epic novel “The Temple of My Familiar.”

Alice next published another volume of poetry, “Her Blue Body Everything We Know: Earthling Poems.” In 1991 she published a children’s story, “Finding the Green Stone.” This was soon followed by her fifth novel “Possessing the Secret of Joy” which chronicles the psychic trauma of one woman’s life after forced genital mutilation. She also wrote a companion book “Warrior Marks” chronicling her experiences.

In 1996 Alice published “The Same River Twice: Honoring the Difficult” in which she describes through essays and journal entries the loss of her beloved mother and her own battle with Lyme disease and depression. The book also contains Alice’s own version of the screenplay to “The Color Purple” and many of her notes and remembrances from the making of her novel into a film.

The next year Alice published another non-fiction title “Anything We Love Can Be Saved: A Writer’s Activism” with more essays inspired by her ever-expanding political activism. Alice remains an outspoken activist on issues of oppression and power and championing the victims of racism, sexism, and military-industrialism.

In September 1998, Alice published “By the Light of My Father’s Smile”. Her first novel in six years, the book examines the connections between sexuality and spirituality. The multi-narrated story of several generations explores the relationships of fathers and daughters.

Alice’s newest work is a collection of stories called “The Way Forward Is With a Broken Heart.” The stories combine autobiography and fiction as Alice examines the bindings and breakings of relationships with friends and family and lovers.

Alice Walker truly exemplifies the power of the Southern Voice in American literature. 

Southern Voices from the Past – Flannery O’Connor

Fiercely loyal to her native South and abiding faith, Flannery O’Connor held little patience for those who saw her depiction of the South as a caricature and who felt she could not possibly share or take seriously the religious preoccupations of her characters. But neither her critics nor the lingering health struggles over the last fifteen years of her life – a time of great suffering – could prevent her from preserving the integrity of a body of work that, however lacking in bulk, places her securely in the first rank of American fiction writers of the twentieth century.

Early Years

Mary Flannery O’Connor was born in Savannah, Georgia, on March 25, 1925 –  the only child of Edward O’Connor, Jr., and Regina (Cline) O’Connor. Both her parents’ families had emigrated from Ireland to Georgia in the nineteenth century. The O’Connors were also Catholics in a Protestant-dominated South, and Flannery’s education came from a series of parochial schools.

In 1938, her father’s real estate business had suffered during the Depression; he began working as a real estate appraiser for the Federal Housing Authority, which required the family to relocate to Atlanta. O’Connor and her mother chose to live in Milledgeville. Her father struggled with lupus, which ultimately consumed his life in 1941.

From 1938 to 1945, O’Connor received her primary education in Milledgeville. While in high school she wrote and drew cartoons for the school newspaper. At Georgia State College for Women, also in Milledgeville, she earned a bachelors of arts in English and Sociology. And more significantly, she dropped her first name and wrote under the name of Flannery O’Connor.

From 1945 to 1948, she did postgraduate work at the famous Iowa Writers’ Workshop, where she undertook a formal course of reading that introduced her to the work of modern writers such as Joyce, Kafka, and her fellow Southerner William Faulkner. After several unsuccessful efforts to get published, her fiction began to be accepted both by popular magazines such as Mademoiselle and journals such as The Sewanee Review. She also won the Rinehart-Iowa Fiction Award for her novel in progress, earning her an award of $750 and a contract with Rinehart and Company to publish the book upon its satisfactory (to them) completion.

Literary Career

During 1948 and 1949, O’Connor worked on her book at an artists’ colony near Saratoga Springs, New York. She boarded at the home of noted poet Robert Fitzgerald and his family in Ridgefield, Connecticut. Friction developed with Rinehart when O’Connor refused to revise her book according to the publisher’s editorial suggestions and they characterized her as uncooperative. She obtained her contractural release and signed a contract with Harcourt, Brace, 1951.

She began to suffer pains in her arms and shoulder joints and developed a high fever on her train trip to Georgia for Christmas. She was hospitalized on her arrival and like her father was diagnosed with lupus. She never again would she be completely healthy, but through therapy and a strict diet recovered sufficiently to complete her novel- titled Wise Blood, published in 1952In contrast to her experience with Rinehart, she was quite responsive to editorial insight and advice–and would remain so throughout her life.

Though O’Connor remained a devout Catholic, her stories usually focused upon mainstream Southern whites who professed the Protestant faith of fundamentalist and often highly idiosyncratic tendencies.

She continued to write and to publish short stories, including “A Good Man Is Hard to Find,” which first appeared in 1953 in a paperback anthology called The Avon Book of Modern Writing, and two years later became the title piece of A Good Man Is Hard to Find and Other Stories. This collection was praised by reviewers, and it sold unexpectedly well for a book of short fiction.

Despite continuing health problems, O’Connor continued living and working with her mother on their family farm. Her second novel, The Violent Bear It Away, published in 1960 to mixed reviews.

Last Years

O’Connor saw her reputation consolidated in the early 1960s with several essays on her fiction in the Summer 1962 issue of the Sewanee Review and the publication in 1963 of her three books in a one-volume paperback edition called Three by Flannery O’Connor.

At the end of 1963, she suffered a pre-Christmas fainting spell that led to the diagnosis of a fibroid tumor, which was surgically removed in February 1964. Fearing the worst, she devoted her remaining strength to finish the last two of the nine stories planned for her forthcoming collection, Everything That Rises Must Converge. The book appeared in 1965 but as a posthumous publication. O’Connor died on August 3, 1964, at the age of thirty-nine.

In the carefully crafted prose of the two novels and nineteen short stories that she deemed worthy of book publication, she created a gallery of fantastic-seeming but deeply felt and sympathetic characters, in whose stories the humorous often gives way with sickening swiftness to the horrible, and whose lives, however twisted and tortured they may become, remain steadfast searches for the healing power of grace. 

Although many writers in this century have sought to catch the flavor of what critics customarily term “Southern gothic,” O’Connor is unsurpassed in the mingling of violence and beauty, of the glorious and grotesque, that is her particular mood and theme.

T. M. Brown, Southern Author

Southern Voices of the Past: Harper Lee

Harper Lee, A Southern Voice that Opened Eyes and Hearts Across America

A Southern Classic that Exposed a Broken Culture Caught in its Past

Nelle Harper Lee (1926 – 2016), simply Harper Lee to millions across America, a Southern voice for decades based on her first book, To Kill a Mockingbird, published in 1960. Her other book though written in the 1950s, Go Set a Watchman, did not see the light of day until 2015 and was published as a sequel to her Pulitzer Prize classic. 

Harper Lee wrote what she knew best, the Deep South of the 1930s from a child’s point of view. Harper Lee’s hometown of Monroeville, Alabama provided her with ample opportunities to portray the irrationality of adult attitudes in the racist culture that permeated the South.

A footnote worth mentioning: the character in her novel named Dill was based upon her real childhood friend, Truman Capote. What were the odds that little old Monroeville, Alabama would rear up both Truman Capote and Harper Lee? Today, Monroeville, Alabama entertains thousands of visitors who flock into town to get a glimpse at the old courthouse and homes that Harper Lee wrote about in To Kill a Mockingbird. Might I suggest you might want to visit the link below to learn more-http://www.southernliterarytrail.org/monroeville.html